Travis Knight Brings Wildwood to the Screen After 16 Years
As Wildwood reaches festival audiences, Travis Knight's painstaking stop-motion production is drawing strong reviews and attention for his rejection of generative AI in filmmaking.
By Hushread Stories, from 15 outlets · First published 24 Oct 2026
In brief
- Director Travis Knight spent 16 years bringing Wildwood to the screen through Laika's painstaking stop motion animation.
- The film held its opening night US premiere at AFI Fest, where Knight discussed his opposition to AI.
- Knight calls generative AI incompatible with Laika's work and says he is not embracing the technology.
- Early reviews praise Wildwood's technical achievement, with some critics making an unusually strong case for its artistic standing.
- The film's violence and ambitious scale are also drawing attention as its reception moves beyond its long production.
Timeline · 6 moments
Cast and director discuss changes in novel adaptation
Screen Rant ↗Knight defends Wildwood's violence and calls rating appropriate
/Film ↗Critic makes Best Picture case for Wildwood
The Daily Beast Latest Articles ↗Production video showcases Wildwood's intricate handmade animation work
Creative Bloq ↗Knight rejects embracing AI at AFI Fest premiere
Variety Movies ↗Profile details Knight's sixteen year Wildwood production effort
The Hollywood Reporter ↗How it started
Wildwood took 16 years to reach the screen. In an October 22 profile, The Hollywood Reporter described director Travis Knight's film as a costly "grand experiment," with untold millions invested and its larger test still ahead.
The commitment has roots in Knight's enthusiasm for handmade fantasy. An October 23 interview in the Sydney Morning Herald connected his passion for puppetry with childhood viewing of Ray Harryhausen films, alongside the story of Wildwood's long journey.
How it unfolded
On October 22, Variety Movies reported Knight's comments from the previous night's opening night US premiere at AFI Fest. Although he called AI "an amazing piece of technology," he said: "I'm not embracing it at all."
That same day, Deadline Hollywood reported a sharper objection from Knight, the Wildwood director and Laika CEO. He called generative AI "antithetical" to the studio's work and said he hoped people would see its danger.
Coverage on October 23 showed what that position means in practice. Creative Bloq highlighted a production video showing the film's intricate details being made and moved by hand. Infobae reported Knight's argument that a computer cannot express human experience or replace the person creating a work.
The response also extended beyond technique. On October 23, CBC News called Wildwood Laika's best film, while The Daily Beast argued that it deserved to become the first animated film to win Best Picture. Those are critical judgments, not awards results.
By October 24, coverage was examining the risks behind the ambition. Polygon.com framed Wildwood as a risky undertaking, comparing it with Coraline, while Screen Rant explored changes made in adapting the novel.
Where it stands
Wildwood has reached festival audiences, with its AFI Fest US premiere reported by Variety Movies and a London Film Festival premiere noted by The Daily Beast. The supplied coverage does not establish a wider release timetable or box office results.
Its reception is not solely about craftsmanship. The Conversation presented the film as an argument for irreplaceable human creativity in an age of AI. Meanwhile, /Film reported Knight's defense of its violence and his view that the film is "appropriately rated." The coverage does not specify that rating.
What to watch
The open question is how Wildwood's festival acclaim translates into a broader audience response. The Hollywood Reporter framed the film's real test as still ahead. The Best Picture argument from The Daily Beast adds awards interest, but the supplied reports establish no nomination or win.


